Marion spent the majority of her career working for MGM. Notably, in the 1920s, Marion worked closely with actor Mary Pickford as her exclusive screenwriter. From 1915 to the 1930s, she wrote over 300 films and helped create Hollywood’s Golden Age. This got True Romance noticed… and he was given $3 million to write and direct Reservoir Dogs ! The rest is, well, you know the rest. Frances Marion Frances Marion was one of the most influential screenwriters of the 20th century. From there, he got his first paid writing gig – the script for From Dusk Til Dawn. The video store brought him into contact with the film community and from this, he got work as an assistant on a Dolph Lundgren exercise video. “ He not only read it, he typed it up,” Tarantino said. When he finished it, his co-worker and friend, Roger Avary ( Rules of Attraction, Pulp Fiction, Killing Zoe), was the first to read it. Quentin Tarantino ( One Upon a Time in Hollywood, Inglorious Bastards, Kill Bill, Django Unchained, Reservoir Dogs, Pulp Fiction, etc., infinity…) hand-wrote True Romance on a pad of paper while working at the Video Archive, a video store in Hermosa Beach. Quentin Tarantino: Don’t Underestimate the Community Just take a look at how these now-famous writers got their big break. Rather, it’s usually some sort of unexpected combination of luck, talent, and more luck that makes that big break happen. Suffice to say, this well-worn path rarely takes us anywhere. Or hike Runyon Canyon until your feet fall off hoping to bump into Natalie Portman or Channing Tatum so you can fake twist your ankle and when they stop to help, mention you have a script JUST PERFECT for them. Submit your script to awards, festivals, and screenwriting competitions. In the summer of 2005, ballots were sent out asking WGA members to list up to ten of their favorite produced screenplays. Upload your screenplays to online databases. 101 Greatest Screenplays compiles the finest achievements in film writing, as voted upon by professional film and television writers. Most of us have probably gone down a similar path in hopes of getting that foot in the door: Try to make connections with producers, agents, and creative execs through queries, cold calls, blind submissions, and waiting tables at Musso and Frank’s. ![]() Find out how the big guns got their big feet in that tiny door.
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